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Popol Vuh were a German electronic avant-garde band founded by pianist and keyboardist Florian Fricke in 1969 together with Holger Trülzsch (percussion) and Frank Fiedler (recording engineer and technical assistance).〔Popol Vuh Biography, Booklet to CD issue of "Popol Vuh Revisted & Remixed, 1970-1999", SPV recordings, 2011〕 Other important members during the next two decades included Djong Yun, Conny Veit, Daniel Fichelscher, Klaus Wiese and Robert Eliscu.〔Michael Fuchs-Gambock, Gerhard Augustin: Booklet to CD re-issue of "Hosianna Mantra", SPV recordings, 2004〕 The band took its name from the Popol Vuh, a manuscript containing the mythology of the Post-Classic Quiché Maya people of highland Guatemala and southeast Mexico; the name translates roughly as "meeting place".〔 In the Quiché language Popol Vuh translates as: "Book of the Community", "Book of Counsel", or more literally as "Book of the People".〔Link text, additional text.〕 ==History== The first album, ''Affenstunde'', released in 1970, can be regarded as one of the earliest space music works, featuring the then new sounds of the Moog synthesizer together with ethnic percussion. This continued for only one more album, ''In den Gärten Pharaos'', and material later to be released on the soundtrack to ''Aguirre, the Wrath of God'', before Fricke largely abandoned electronic instruments in favor of piano-led compositions from 1972's ''Hosianna Mantra'' forward. This album also marked the start of exploring overtly religious themes rather than a more generally spiritual feeling within the music. The group evolved to include all kinds of instruments: wind and strings, electric and acoustic alike, combined to convey a mystical aura that made their music spiritual and introspective. Popol Vuh influenced many other European bands with their uniquely soft but elaborate instrumentation, which took inspiration from the music of Tibet, Africa, and pre-Columbian America. With music sometimes described as "ethereal", they created soundscapes through psychedelic walls of sound, and are regarded as precursors of contemporary world music, as well as of new age and ambient. The band contributed soundtracks to the films of Werner Herzog, including the aforementioned ''Aguirre, the Wrath of God'', as well as ''Nosferatu'', ''Fitzcarraldo'', ''Cobra Verde'', ''Heart of Glass'' and ''The Enigma of Kaspar Hauser'', in which Fricke appeared. Florian Fricke died in Munich on 29 December 2001 and the group disbanded. In October 2003 Klaus Schulze wrote: :"Florian was and remains an important forerunner of contemporary ethnic and religious music. He chose electronic music and his big Moog to free himself from the restraints of traditional music, but soon discovered that he didn't get a lot out of it and opted for the acoustic path instead. Here, he went on to create a new world, which Werner Herzog loves so much, transforming the thought patterns of electronic music into the language of acoustic ethno music."〔Klaus Schulze, Oldau, October 7, 2003: Booklet to CD re-issue of "Hosianna Mantra", SPV recordings, 2004〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Popol Vuh (band)」の詳細全文を読む スポンサード リンク
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